“Bounce it, sleep on it, listen again tomorrow.”
Booking agencies
A booking agency uses Aden as the pipeline between "there might be a show" and "the contract is signed". You scout and pitch dates privately, place ranked holds on them, route confirmed shows into tours with day sheets and crew, and send the booking contract for signature. All against the artist's real calendar rather than a parallel one.
Scout dates in an org-private pipeline that stays hidden from the artist team until you share it, with AI-drafted outreach to the promoter or venue contact.
Place first, second and third holds on a venue and room so competing offers on the same night are visible instead of discovered by phone.
Group confirmed shows into a tour with routing, dates, travel and crew, and see the whole run against everything else the artist has booked.
Every show carries its day sheet, setlist, crew and documents, so advance information lives on the date rather than in a thread.
Send the booking agreement for e-signature from a template, then raise the invoice and track the fee. The financials scope is part of the booking-agency grant.
Link a mix as the show's setlist and generate a performance-rights declaration from the writers behind those tracks.
Link each artist team as Booking Agency or Touring Agency. The link closes when the relationship ends.
Yes. A booking-agency grant opens events, tours, milestones, documents, comments and financials on each artist it represents, and shows can be routed into tours with day sheets and crew.
Yes. Holds are ranked per venue and room, so first, second and third holds on a night are explicit.
Yes. Event prospecting keeps scouted dates org-private until you choose to share them with the artist team.