“Bounce it, sleep on it, listen again tomorrow.”
Festivals & promoters
A festival or promoter uses Aden to assemble a lineup and keep every act's paperwork and advance in one place. You hold and confirm dates per stage, contract each act with an e-signed booking agreement, collect riders, tech specs and press assets against the act rather than in a mailbox, and publish the confirmed lineup on a public agenda.
Model the site as rooms or stages, place ranked holds per slot, and confirm the ones that stick, so a stage clash is visible while it is still a hold.
Booking agreements from a reusable template, sent and e-signed per act, with the signed copy attached to the show date it belongs to.
Riders, tech specs, day sheets, crew, travel and documents live on the show, and the acts and their agents can see the same record you do.
Pull each confirmed act's artwork, photos and press material from their own profile instead of chasing a WeTransfer link.
A public organisation page with your agenda, so the confirmed lineup is a page you keep updated rather than a poster you re-export.
A public "play here" request form collects artists and agents asking for a slot, into a pipeline instead of an inbox.
Link each artist team as Booking Agency or Venue. The link closes when the relationship ends.
Yes. A festival works as an organisation with venue and booking capabilities. Ranked holds per stage, confirmed shows, and e-signed booking agreements per act.
On the show itself, as documents alongside the day sheet, setlist and crew, visible to the people granted access to that event.
Yes. The public request form on your organisation page collects incoming pitches into a pipeline.